Tag Archives: Gillian Welch
This week on Pines we explored the very new and the very old and a few songs in-between. Aside from brief sixties flirtations via Lee Hazlewood and Anne-Margret, the nostalgia fest of last week (on account of Bob Dylan’s birthday) was mostly swept aside for more contemporary sounds. And so it was that we slow-danced into the program with one of the more pensive tracks from New Orleans based Hurray For The Riff’s ‘I Know You’. It’s an album track and therefore impossible to find online but if you want a taster of the their sound, try this on for size:
From perhaps the best kept secret in Louisiana onto a band who are more or less the most popular folkies on the planet, Fleet Foxes. All beards, all harmonies, all the time. Here is their recent performance on Jools Holland. Check out Robin Pecknold’s sweet Gibson. I don’t care how cute they all are, it’s the guitar I’m lusting about.
The latest offering from sisters/brother trio Kitty, Daisy & Lewis helped to break up what was close to becoming an overly earnest program. The trio wooed Australian audiences in January and are set to be back here a little later this year following the release of their latest album, Smoking In Heaven.
But… never one to stay with upbeat sounds for too long, we also heard an old mournful favourite from the fantastic Gillian Welch in the form of ‘ Time (The Revelator)’. I had the fear that her contribution to The Decemberists single ‘Down By The Water’ might be her only foray into new sounds for 2011, however, it’s been confirmed that Welch will release a new album on June 28. The album is called ‘The Harrow & The Harvest’. I’m pretty much counting down the days.
I haven’t been able to play this next song on Pines on account of it never having been officially released, but if you’re a Gillian fan and you haven’t heard ‘Throw Me A Rope/ The Way It Would Be’ prepare for some achin’ and breakin’. Complete with a Townes Van Zandt mention at the end…
And that pretty much wrapped it. However it must be said, although I only played Lee Hazlewood and Ann Margret’s spectacular ‘You Turned My Head Around’ once, I must have thought about it a thousand times this past week. So in love.
After months on the road as part of the alt-country wet dream that is Dave Rawlings Machine, the boys from Old Crow Medicine Show are giving up what could be the world’s sweetest old-time/bluegrass tour bus for a stint on the road on their lonesome in Australia.
It’s sad news for Dave Rawlings and Gillian Welch, who will no doubt miss the fine contribution the Old Crow gang have made to the band over the past twelve months. But it’s great news for Australian fans of OCMS. What’s that you say? A second tour here in just under a year?
I spoke to the band’s frontman Ketch Secor this week about his newfound role in the ‘machine’, old school vs new school country and that ol’ man who so many call their biggest influence, Bobby Dylan.
The Old Crow Medicine collaboration with Dave Rawlings and Gillian Welch for Dave Rawlings Machine is one of the finest things to happen to Americana for quite some time and it’s a damn shame we won’t be seeing them live here soon as well. In the meantime though, there are quite a few good videos of the band playing songs from the Machine debut A Friend of A Friend online inlcuding this version of the Ryan Adams/ Dave Rawlings co-write ‘To Be Young Is To Be Sad, Is To Be High’.
Australian tour dates for OCMS can be found here.