Tag Archives: The Weakerthanss
One of the great delights of hosting a radio program like In The Pines is that I get to talk with a lot of musicians about their craft, as well as find out what songs/ artists/ albums make them tick. As a lifelong sufferer of Obsessive Compulsive Song Disorder (that would be – the repeated listening to one song over and over and over and over, so as to get inside and know it and breathe it) I am fascinated to learn the songs that other songwriters have an enduring affection for. With that in mind, I’m reviving a long forgotten but much loved section of the blog that asks songwriters to write about five of their favourite tunes: The Mid-week Mixtape.
Our first contributor is an impressive young troubadour from Sydney, Australia: Jack Carty. He writes beautiful, thoughtful folk songs with the slightest hint of country thrown in for good measure. His latest album, Break Your Own Heart is, literally, a heartbreaker.
Here is Jack performing the album’s title track:
And here is the mix he kindly put together for In The Pines this week. Cue heartbreak (again).
The Predatory Wasp Of The Palisades Is Out To Get Us! – Sufjan Stevens
I can’t even remember how I found out about Sufjan Stevens. But it was sometime in 2008 or early 2009 and I remember listening to the album Illinois every time I could for the next year solid. I love the instrumentation and the epic scope of the arrangements. It’s bombastic but still classy and so full of feeling. I don’t think there is anywhere on the record that this is is better exhibited than right here… Gotta love the counterpoint.
Left & Leaving – The Weakerthans.
I first heard this song on a live album recorded at The Burton Cummings Theatre in their home town of Winnepeg, Manitoba. It has one of the most biting lyrics I have ever heard and John K Samson’s voice always sounds really sincere to me. He uses amazing imagery to describe his inner and outer environment in a really engaging and moving way. It’s so sad, but so resigned… “I wait in four/four time, count yellow highway lines, that you’re relying on to lead you home” – that line has swum around in my head for days at a time.
Gillian Welch – Wrecking Ball
I love pretty much everything Gillian Welch does. This track has so much attitude (from the sloppily played drums and fuzzbox guitars to the scratchy fiddle soloing in the right channel throughout its entirety) that it would be cool even if it didn’t have one of the best journey(wo)man lyrics I ever heard. She makes it sound easy, like she isn’t even trying, it’d almost be frustrating if it wasn’t so good.
Elliott Smith – Pitseleh
I love the way this song is simultaneously filled with so much sadness and so much love. It drips with doubt, loneliness, pain and an honest, quiet, beautiful affection. I have always loved the way Elliott seems to play the guitar like you would a piano, with a heavy emphasis on a constantly moving and repeated “bass line” underneath delicate ornamentations on the higher strings. It seems to lend a timeless, almost baroque feel to an already gorgeously timeless and moving sentiment. This song has helped me through a lot.
Bright Eyes – Classic Cars
Connor Oberst’s ultra poetic turn of phrase, Mike Mogis’ guitar flourishes, a rad bass line, Hammond organ, honky-tonk piano, a great story, some questionable backing vocals and most of all those buildups in the chorus! The first time I heard this I listened to it 5 times in a row, the opening stanza of the opening verse had me hooked. It is delicate, angry, political, upbeat and incredibly deep all at once. It’s a classic, man.