This week’s mixtape has been lovingly put together by Sydney songwriter Piers Twomey. Piers’ sophisticated new album of modern folk – Strange Advice – has seen him likened to Kings Of Convenience and Grand Salvo. He has performed alongside Preston School of Industry, Ben Sollee, Krystle Warren, Dappled Cities and Jack Ladder. This week, as well as sharing these lovely songs with us, Piers is performing at ‘Don’t Think Twice’ a new folk music night presented by Timber & Steel from 6pm on Sunday at the Annandale Hotel.
Go along to the gig and check him out! And check out Piers’ brand new video for ‘Mountain Song’, which has just been updloaded here.
Bill Callahan – The Wind and the Dove
I think listening a lot to Bill, who was once Smog, has taught me not to be overly self-conscious about whether I sing “correctly”. His lovely, deep, rich voice is just perfect to my ears, though I imagine some first-time listeners would find his deadpan delivery a little lacking. This song is a quiet, personal, complex and unassuming little “relationship” number from Bill’s Sometimes I Wish I Were An Eagle album from a few years ago. I think it slipped under the radar a little bit to be honest, but most Bill fans I’ve come across cherish the album with its curious folk and soft-rock with string section production! The man is certainly adored far and wide, and I do think he’s one of the greatest living songwriters. What about this line from the same album?
Love is the king of the beasts
and when it gets hungry
it must kill to eat.
Genius.
Ryan Adams – She Wants To Play Hearts
First off, I’m not really the hugest Ryan Adams fan (sorry to those who are!) But, at a friend’s house a few years ago, this song sort of stopped me in my tracks. It makes me feel nostalgic, and reminds me of listening to those warm Don Maclean ballads when I was a kid from my parent’s record collection. Somehow, it reminds me of Don’s version of Roy Orbison’s ‘Crying’ – one of the all time songs, I think it’s the tempo… anyway. I love the bare minimum arrangement and super intimate but very unaffected vocal and the way his natural vibrato rings out the emotion from every note. I think I like my Ryan Adams heartbroken and confused. So thank you Ryan – even if just for this song.
Red House Painters – Have You Forgotten
OK, well, more wistfulness here. I only heard this a year or two back, but it reminds me of living in New England in America as a teenager for three years with my family, with that weird new-person isolation, the huge seasonal changes, beautiful forests, eventually making close friends, crushes and kisses… and
all that kind of normal stuff. Mark Kozelek’s voice is just one of those instantly haunting and heart- aching things – no pretensions, it just is. Like many of Mark’s songs, this seems to be very nostalgic as he looks back on the simplicity of his own childhood and remembers Spring and October autumns and the
magic of looking out the window at “frozen farmhouse landscapes” at Christmas time. But I think there is something even stronger here, something to do with the purest kind of love and something about healing. Who is he speaking to when he asks “When you’re older your heart turns to ice… have you forgotten how to love yourself?” My guess is the question is directed straight at himself.
The Strokes – Hard To Explain
Alright enough melancholy! When it’s time to jump around – this is one of my favourite ways to do it. The way this somewhat bratty track effortlessly cruises along busting out a simple beat, slinky guitar riffs and crazy good vocal melodies like that’s the easiest thing in the world to do… well, it just blows me away. Of course Julian Casablancas is an alluring gentleman and that helps; his lazy voice drips graceful cool without even trying, and that high vocal he hits a couple of times (“was an honest man!”) in the song plus the “I don’t see it that way” hook, well it makes the whole thing 3:48 of guitar pop perfection. I once heard a really great 50’s style rockabilly guitarist exclaim, “This isn’t music!” about the lo-fi sounding ‘Hard To Explain’. When he was a kid, I’m sure his parents said the same thing about Little Richard.
Grand Salvo – Bend In The River
No rest for the wicked, so it’s back to the broken and bruised! Australia’s own Paddy Mann, aka Grand Salvo is a huge favourite of mine. When I first started listening to his albums – again on a vocal level – I was stunned by the simplicity and the softness of his delivery. Of course Paddy is a stunning lyricist, story-teller and musician, and uniquely Australian too – I actually think of him as a bush poet who loves acoustic and orchestral instruments. His arrangements and melodies seem perfectly formed to me, like if it were somehow up to me, I wouldn’t touch a thing, I’d keep everything exactly as it is. I saw a short interview online today where Paddy described his music with a smile as, “slightly depressing folk music” which is spot on I guess. This song from one of his earlier albums I included as it was the first Grand Salvo song I ever heard – and it affected me greatly. Seek it out and give it a go – it’s hopelessly beautiful, sad and romantic.